It is a peculiar thing for a woman to find herself forced to walk the tightrope between preconceived definitions of masculinity and femininity but it has been frequent in popular culture and especially in rock and roll, a noticeably masculine world where the lack of varied female role models endure. Thirty-five years ago, at a time when words like cisgender, normative and most discussion of sexual politics were uncommon if not completely absent from everyday conversation, Chrissie Hynde was the cool rock god-and-goddess on the radio, the one to worship in the mainstream pop world.

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